Waterloo
I’m a big fan of Andrew Peterson’s songwriting. I had always wanted to learn how to play a quirky little instrument like the ukulele. From the time I first heard Andrew play one of his songs on the churango, a South American instrument that sounds similar to the uke, I immediately wanted one of my own.
This, for me, was an adventure in creating and weaving a tale from the depths of my sometimes strange and random imagination. This is the story of a thoroughbred racehorse that would rather be a cow. It’s a “silly” song, I must admit, but like our anti-hero, Waterloo, there is more to the story than first meets the eye. Written March 20-28, 2002.
(key of C)
he was a has-been steed
running break-neck speed
but all too oft forgot his purpose
the gods would smile
on Waterloo's early mile
until the final stretch
where upon the final bend
he forgot that he could win
and settled down into a lazy gait
until he reached a patch
of the sweetest, greenest grass
and he would stop for awhile to graze
a horse, of course, will always be a horse
unless, of course,
that horse thinks that he's a cow
you can lead a horse to water
but you can't get him to swall'r
even if you're the first to show him how
the jockey aghast
at this thoroughbred's lapse
and wondered what was the matter
in the same manner
did his lore grow grander
than when Waterloo lost the triple crown
he kept the bettors betting
while all the debtors kept forgetting
that Waterloo would always let them down
a horse, of course, will always be a horse
unless, of course,
that horse thinks that he's a cow
you can lead a horse to water
but you can't get him to swaller
even if you're the first to show him how
some horses were born for glory
some horses were born for the plow
but old Waterloo was born for forgetting
all the laughter
that he brought to the crowds
'cause Waterloo would always
let them down